Post by : Mumtaaz
Qadiri
Among the many highlights of Netflix’s new series The Bastards of Bollywood, one name is being praised everywhere — Lakshya, who plays the lead role of Aasmaan Singh. For Lakshya, this show is more than just another project. It is a turning point in his career and a chance to prove himself in front of both Indian and international audiences.
Early Struggles In His Journey
Lakshya, also known as Laksh Lalwani, started his career with television and youth-based shows. Even though he had talent, his shift to big films was slow and difficult. Just like his character Aasmaan Singh — who is an outsider fighting for a place in the film industry — Lakshya also faced similar challenges while entering Bollywood without any family background in films.
Why Aryan Khan Chose Him
Aryan Khan’s decision to cast Lakshya was not just luck but a smart and well-thought-out choice. Lakshya’s outsider image made him a perfect fit for the role of Aasmaan Singh. His real-life story added honesty to the character and made audiences believe in him. By casting a fresh face instead of a Bollywood insider, Aryan avoided criticism of nepotism in a series that actually talks about this very issue. This also allowed established stars like Bobby Deol and rising talents like Sahher Bambba to shine without overshadowing Lakshya.
Connecting With Younger Audiences
Lakshya’s casting worked especially well for younger Netflix viewers like Gen Z and millennials. Many of them look for real and relatable stories rather than star power. Seeing an outsider like Lakshya on screen makes them feel more connected to the story. This makes it more likely that audiences will watch the whole series rather than stop midway.
Praised For His Performance
Lakshya has received wide praise for his acting in the series. He played Aasmaan Singh with intensity, control, and without unnecessary drama. Critics pointed out his ability to show emotions with restraint while keeping the energy alive during high-pressure scenes, including the shocking twist in the finale. His chemistry with Sahher Bambba shifted smoothly from love to conflict, and his ability to hold his own in front of veteran actor Bobby Deol was seen as a big achievement.
Aryan Khan’s Smart Direction
As a director, Aryan Khan used Lakshya’s “blank canvas” quality in a smart way. Since Lakshya was not heavily linked to any past roles or star image, viewers could easily connect their own feelings of struggle with his journey in the series. This made Aasmaan Singh a more universal character that audiences everywhere could relate to.
A Universal And Relatable Hero
For international Netflix viewers, Lakshya comes across as a fresh face, not as someone tied to Bollywood’s family system. This makes him easier to connect with for audiences in the West, Middle East, or other global markets. His outsider status matches the worldwide trend of people preferring authentic actors over privileged stars. As a result, Aasmaan Singh becomes not only a local hero in India but also a character that global viewers can admire.
Building A Global Future
The success of The Bastards of Bollywood has opened many doors for Lakshya. The show quickly became number one in India within three days, and its global performance data is awaited. If it continues its success, Lakshya may become one of Netflix India’s most important talents. He now has opportunities for season 2 of the show, international projects, and even the possibility of becoming the face of a long-term franchise.
A Game-Changing Decision
Casting Lakshya as Aasmaan Singh was not just about filling a role — it was a bold creative decision. His personal life story matched perfectly with the outsider journey shown in the series. His performance added emotional depth, and his fresh star power gave Netflix a chance to introduce a new face to the world. In an industry often criticized for repeating the same old names, Aryan Khan’s choice to trust Lakshya could become one of the most important decisions in shaping the future of both the actor and Indian streaming content.
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